Historical Harp Society Conference at Somerset
Somerset hosts The Historical Harp Society’s 2023 Conference. Join the HHS on Sunday July 23. Add-On to your Somerset subscription or as a stand alone full day of workshops.
Historical Harp Society Conference Sunday 23rd July 2023
Hybrid online + in-person sessions from 9.30am-5pm featuring:
David Brown - Mara Galassi - Nancy Hurrell - William Jackson -
Christa Patton - Adriano Sangineto - Bill Taylor
Add the Historical Harp Society's Sunday conference to your Somerset In-Person or Online ticket.
Access to the Sunday Historical Harp Society Conference In-Person or Online.
Topics will include:
The use of triple harps in Baroque opera
Construction methods for making triple harps
The harp in Baroque opera - Preparation and performance
Historical fingernail and damping techniques for playing metal and gut strings
Origins of music therapy
Authenticity and tradition in the early modern era
Evening concert with presenters from the sessions.
Historical Harp Conference Itinerary
Sunday July 23, 2023
9.00 coffee and registration
9.30-10.30 Session 1: Historical Damping Techniques for Harps and Psalteries with Bill Taylor
Detailed techniques from Welsh and Irish sources for playing gut- and wire-string harps using fingernails and damping can be used for interpreting a wide range of repertoires, from medieval to modern styles. They are also appropriate for reconstructing techniques for playing psaltery, the lesser-understood cousin of the harp.
10.30-11.30 Session 2: 19th -century Welsh and Irish Harps: Authentic Revival or Invented Traditions? with Nancy Hurrell
In the 19th century, Welsh and Irish harps were perceived as revived versions of true ‘native’ instruments; but were they actually newly invented traditions? Movements to promote national harps and music at festivals struggled with the contradictions of embracing modern harp designs and allowing the inclusion of classical harp repertoire.
11.30-12.00 coffee
12.00-1.00 Session 3: Modes & Moods with William Jackson
Exploring how different forms of ancient Scottish and Irish scales and modes might relate to the practice of modern music therapy, for instance how variations on a simple musical theme might be employed in a therapeutic setting to move from a single vocal sound into a shared conversation and interaction.
1.00-2.30 lunch
2.30-3.30 Session 4: “The King of the Harmony”: Continuo and its Modern Evolution with Adriano Sangineto
This session deals with the role of harp as a leading instrument of early harmony, the so-called “continuo”. A bass line can change the mood, lead the rhythm and give different nuances of a tune to become one of the main factors responsible for the aesthetics of music.
3.30-4.15 Session 5: From Orfeo to Orfeo: Harps for Seducing, Harps for Healing, Harps for Shouting! with Mara Galassi
Discussing the role and development of chromatic harps in baroque opera during the 17th and 18th centuries, including triple harp in Monteverdi’s Orfeo in 1607 and hook harp in Gluck’s Orfeo in 1762.
4.15-5.00 Session 6: Harp Construction from 1607-1762 with David Brown
Notes on different aspects of the construction and stringing of Italian double and triple harps, Welsh triple harps, chromatic German Davidsharfen, and hook harps.
5.00-6.00 Triple Harp Playing Session with Christa Patton
Christa Patton leads an informal session, inviting participants to play triple harps and to ask questions.
8.00 pm Evening concert, featuring:
William Jackson, Adriano Sangineto, Christa Patton, Nancy Hurrell and Mara Galassi